Los Angeles, 1950
Almost nineteen, with Rita Hayworth-hair,
her lips parted between sorrow and seduction,
she has arrowed on thin eyebrows.
Her name, according to the mug shot,
is Ernesteen, though beneath it
someone has penciled Delores.
She might not have chosen to wear this,
her department-store blouse, ruched at the neck,
showing off the sculptural lines of a face
that must have drawn attention
even from strangers.
Perhaps that was the problem.
She looks the sort of woman caught
somewhere she shouldn’t have been.
It was 1950, after all, and the narcotics bust
was something to think about,
even if you were white, and pretty,
and thought you knew your way around.
Must I mention that she’s beautiful,
this Renaissance ...
This article originally appeared in The New Criterion, Volume 27 May 2009, on page 30
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