When word arrived last autumn that The New Yorker was releasing a deluxe boxed CD set of every issue of the magazine published since its monocled dandy espied a butterfly on the cover of the February 21, 1925 debut, my first thought was: “Happy-doodle-day!”[1] That may speak to a certain lack of excitement in my life, but for a magazine junkie, this was the mother lode, the treasure of the Sierra Madre. Never again would I haunt the flea markets for back issues from the 1930s and 1940s, hoping to luck into a John O’Hara story I hadn’t read before, or a sporty Peter Arno cover. Professiona lly, it was also a must-have. For journalists, researchers, historians, educators, and average buffs, the technological breakthrough in the digitalization of magazine archives is a boon to cultural preservation, putting ...