The Wonderful Art of Oz
at The Eric Carle Museum
of Picture Book Art,
Amherst, Massachusetts.
July 11, 2006-October 22, 2006
William Wallace Denslows illustrations for The Wonderful Wizard of Oz (1900) bleed pictures across full pages and taunt the frame with chiseled, lacy, intervening images. His pen led him, at the turn of the twentieth century, to places other childrens illustrators wouldnt go. So did his liking for asymmetry and for the unfettered use of color at a time when the childrens genre did less with little.
The sardonic wit of Denslowa sometime dandy and hard drinkershod the doleful Tin Woodman with spats (look closely) and gave the important oilcan double duty as a cocktail glass. He was brave enough to make Dorothy, the heroine, appear ugly. He had the gall to compete with the author himself on many a page of Oz, where a ...
This article originally appeared in The New Criterion, Volume 25 December 2006, on page 45
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