On "Saul Steinberg: Illuminations" at the Morgan Library and Museum, New York.
When we enter the world of Saul Steinbergs drawings, we find ourselves enclosed in a paradise of delightful absurdities. What we normally think of as the reality of daily life has everywhere been transformed into an animated landscape of wit and paradox. Everything we see in these drawingsnearly 100, from every phase of Steinbergs career, are on view in this fetching exhibitionis either too big or too small, and the force of gravity has been suspended in favor of objects and figures that enjoy the liberties that Steinberg has created for their benefit. Even words are endowed with the power to remain aloft, and a Christmas tree may serve as a suitable costume for a Santa Claus.
Despite the inveterate zaniness of Steinbergs art, however, it would be a mistake to regard these deli ...
This article originally appeared in The New Criterion, Volume 25 February 2007, on page 51
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