Each vowel black and white with silver sound,
each consonant, a coil of golden fleece
thats hunted over russet-colored ground
chorale by Bach and painting by Matisse
this language, life
. Those hunting horns resound
so high up there youd think they would release
the very sun itself the mountains round,
and penetrate deep valleys till they cease.
These words, this world; and all one sees and hears.
Think how, as if through time, the hunters ride
above the curling clouds while morning clears
and brings them breathless down the moutainside:
think how the dark divides to take their spears,
how in each poem life is justified.
William Jay Smith
This article originally appeared in The New Criterion, Volume 20 November 2001, on page 34
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