When swept high to the rear, she sees
Below the park the harbors quays,
Cranes, rail tracks, transit sheds, and ranks
Of broad, round silver storage tanks.
Her father lacks such speed and sight,
Though, with a push, he launched her flight.
Now, hands in pockets, he stands by
And, for her safety, casts his eye
Over the ground, examining
The hollow underneath the swing
Where, done with aerial assault,
Shell scuff, in passing, to a halt.
This article originally appeared in The New Criterion, Volume 23 April 2005, on page 27
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