of her hair, or even the absence of all gesture:
the way she doesnt need to turn to know
who, in this gathering of friends, has touched her.
It was as if he dreamed some private garden.
Perhaps he woke from it, mid-reach, to find
his hand too near her hair in this crowded yard,
and maybe even now shes shuttering in
(shes even better than you or I at that)
a storm of worry and recrimination
did anyone notice? how could he do that here!
by seamlessly continuing to tell you
about her trip to see her favorite Vermeer
this morning in the Delft show at the Met:
So now they say she isnt weighing pearls
or gold or anythingits just the light
glea ...
This article originally appeared in The New Criterion, Volume 23 November 2004, on page 28
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