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All in the family
by Bruce Bawer
On the life and work of Marianne Moore
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In the opening pages of Charles Molesworth’s 1990 biography of Marianne Moore, the reader encounters two exceedingly curious sentences. “I have chosen,” declares Molesworth in the first of these, “to limit my interpretations of [Moore’s] character by relying more on literary than on psychological questions.” Study that statement for a moment—savor it, if you will—and ponder its meaning. What is Molesworth saying here? Apparently, that he not only thinks a biographer can somehow “interpret” his subject’s “character” while skirting “psychological questions,” but also that for some reason he has found this course of action to be advisable. Which, of course, raises the questions: Exactly how does one go about interpreting ...
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This article originally appeared in The New Criterion, Volume 32 April 2014, on page 12
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by Bruce Bawer
A new collection of Henry James's letters reveals the early development of the writer.
The Walter Duranty Prize for Journalistic Mendacity
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The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"