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The New Criterion

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January 2011

Baudelaire's dark mirror

by Kelsey Bennett

On the affinity between Baudelaire & Delacroix.

In what has become one of the most famous tributes by a poet to a painter, Baudelaire lamented Delacroix’s death as a national sorrow that “brings with it a lowering of general vitality; a clouding of the intellect which is like an eclipse of the sun; a momentary imitation of the end of the world.” If our own time appears oblivious to artistic achievement, Baudelaire’s does not sound much better. He continues:

I believe however that this impression is chiefly confined to those proud anchorites who can only make themselves a family by means of intellectual relations. As for the rest of the community, it is only gradually that they most of them learn to realize the full extent of their country’s loss in losing its great man, and to appreciate what an empty space he has left behind him. And yet it is only right to warn them.

“T ...

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Kelsey Bennett is a writer living in Colorado.

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This article originally appeared in The New Criterion, Volume 29 January 2011, on page 39

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The Walter Duranty Prize for Journalistic Mendacity
On May 5, 2014, The New Criterion and PJ Media presented the second Walter Duranty Prize for Journalistic Mendacity. The award is given to highlight egregious examples of dishonest reporting. Also awarded this year was the Rather, a new award for lifetime achievement in mendacious journalism.
The Duranty Prize is named after Walter Duranty, the New York Times Moscow corresponded in the 1920s and 1930s who whitewashed Joseph Stalin’s forced starvation of the Ukrainians (the Holodomor) and many other aspects of Soviet oppression. Duranty was awarded the Pulitzer Prize in 1932 for his efforts. It has never been revoked.
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