America’s leading review of the arts and intellectual life
Character & intellect
From "Remembering Hilton Kramer."
was right!Support The
It was big news in the world of journalism when Hilton Kramer left The New York Times in 1981 to become the first editor of The New Criterion. Few could understand why the chief art critic of the newspaper of record should choose to leave his post to edit a fledgling magazine of art and literature, and fewer still why he wished to ally himself with the conservative foundations that provided the seed money to launch the enterprise. How could Hilton Kramer, an eloquent voice for abstract expressionism and high modernism, enter into an alliance with conservative business leaders whose range of interests (it was said) did not extend much beyond free enterprise and supply-side economics? Hilton’s critics had a point: It was an unusual alliance. They doubted it would last for very long. As things turned out, it was Hilton Kramer more than anyone else who made it work.
I had just joined the staff of the John M. Olin Foun ...
This article is available to subscribers and for individual purchase
This article originally appeared in The New Criterion, Volume 30 May 2012, on page 22
Copyright © 2014 The New Criterion | www.newcriterion.comhttp://www.newcriterion.com/articles.cfm/Character---intellect-7378
E-mail to friend
A new biography of James Madison hopes to change the way we remember America's fourth President.
Uncovering the media lies that continue to shape the history of JFK's assassination
John Maynard Keynes’s revisionist history of World War I has had enduring—and harmful—consequences.
The complicated, often conflicted, life of Alexander Herzen.
by Marco Grassi
Summer exhibitions in Florence and Verona reconsider the work of Pontormo, Rosso & Veronese.
The Walter Duranty Prize for Journalistic Mendacity
Introduction to The Kennedy Phenomenon
The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"