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ReconsiderationsApril 2005 Chekov & Tolstoy On two stories in which we “see encapsulated the tragic predicament of modern man.” After he had written Anna Karenina, Tolstoy reacted against literature. He wanted henceforth to be a moral philosopher, a prophet, a sage, and a saint, rather than an artist. (How often we mistake the nature of our own gifts!) And many people subsequently fell under his didactic spell, even—for a time—Chekhov, a man one normally thinks of as being peculiarly unsusceptible to the siren-call of sages and saints. Chekhov the disciple—it sounds strange in the light of our image of him, but such, for a time, he was. In 1886, Tolstoy published his first substantial work of fiction for nearly twenty years, the novella The Death of Ivan Illych. He started to write it after he received Turgenev’s famous deathbed letter: “My friend,” wrote Turgenev, who was then very weak, in great pain and only a short time from death, “return to literature! … My friend, great writer of the Russia ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 23 April 2005, on page 31 Copyright © 2010 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Chekov---Tolstoy-1304
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