The New Criterion is probably more consistently worth reading than any other magazine in English.
Comedy & condescension
On The Heiress, Dead Accounts, and The Mystery of Edwin Drood.
was right!Support The
There are many older plays that rely heavily upon our identification with long-abandoned sexual and marital norms for their dramatic power, and it requires a bit of work on the part of the audience to enter into a world in which infidelity or bastardy are life-and-death issues. For related reasons, contemporary plays about marriage and romance face a very high hurdle: In our time, there is so little at stake in sexual relations that additional elements often must be introduced in order to hold our attention. Nina Raine’s very popular Tribes, to take one example, would be one quirk short of a staged Wes Anderson film but for the elements extraneous to the romance at its heart, in this case the deafness ...
This article is available to subscribers and for individual purchase
This article originally appeared in The New Criterion, Volume 31 February 2013, on page 36
Copyright © 2015 The New Criterion | www.newcriterion.comhttp://www.newcriterion.com/articles.cfm/Comedy---condescension-7551
E-mail to friend
Reviews of The Curious Incident of the Dog in the Night-Time, This Is Our Youth, & Matilda
by Kyle Smith
On Ghosts at the Brooklyn Academy of Music, Clinton the Musical at New World Stages, Wolf Hall Parts One and Two at the Winter Garden Theatre.
by Kyle Smith
On The Audience at the Gerald Schoenfeld Theatre, Skylight at the John Golden Theatre, & The Heidi Chronicles at the Music Box Theatre.
On Churchill at New York’s New World Stages; An Octoroon at Theatre for a New Audience & The Events at New York Theatre Workshop.
The Walter Duranty Prize for Journalistic Mendacity
Introduction to The Kennedy Phenomenon
The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"