ArtMay 2008 Courbet at the Met by Karen Wilkin On "Gustave Courbet" at the Metropolitan Museum of Art, New York. The pale, wide-eyed young man tearing at his hair has been everywhere since the juicy Gustave Courbet retrospective opened at the Metropolitan Museum of Art at the end of February.[1] He lunges at us, full lips parted, eyes staring in horror, enormous dark irises ringed with white. It’s not just the maddened expression or the aggressive frontality that makes the image so compelling—nor the fact that the guy is gorgeous, although it helps—but also the orchestration of contrasts: pale flesh vs. long, dark hair, muscular arms vs. delicate bone structure, full white shirtsleeves vs. big black tie, crazed gesture vs. neat little beard and silky moustache. Yet for anyone who knows anything about Courbet, it’s difficult to reconcile this wild-eyed refugee from a gothic novel with the man who described his aim as translating “the customs, ideas, and appearance of my t ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 26 May 2008, on page 52 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Courbet-at-the-Met-3841
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by Karen Wilkin On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA. by Karen Wilkin On "Stieglitz & His Artists" at the Metropolitan Museum of Art, New York. Marioni's liquid light at the Phillips by Karen Wilkin On “Eye to Eye: Joseph Marioni at the Phillips” at the Phillips Collection, Washington, DC. On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston. On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London. On "Johann Zoffany RA: Society Observed” at the Yale Center for British Art.
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