America’s leading review of the arts and intellectual life
FeaturesIn his Autobiography (1954), the Scottish poet Edwin Muir expressed bitterness at the late start he got on poetry. “I was thirty-five … and passing through a stage which, if things had been different, I should have reached ten years earlier. I began to write poetry at thirty-five instead of at twenty-five or twenty.” In fact, his First Poems was published in 1925, when Muir was thirty-eight. It had been preceded by a ten-year spell of odd jobs, unsettled opinions (Nietzsche, socialism), and unhappy love affairs. He had already produced a volume of aphoristic essays, We Moderns (1918), which show Muir under the spell of Nietzsche and which he later disowned. In 1922, on a visit to Dresden with his wife, Muir had a kind of revelation: “I must live over again the years which I had lived wrongly … everyone should live his life twice, for the first attempt is always blind.” The theme of repet ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 15 April 1997, on page 26 Copyright © 2009 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Edwin-Muir-s-journey-3349
rate this article for your user profile
E-mail to friend
|
Review of All the Fun's in How You Say a Thing: An Explanation of Meter and Versification by Timothy Steele New from The New Criterion: "Free speech in EventsJuly 16 2009 OPEN CHICAGO EVENT Webcasts
"Taking the Occasion," poems by Daniel Brown
Jay Nordlinger on the future of classical music, from an evening with the Friends of The New Criterion.
A profile of the abstract painter Thornton WIllis |
add a comment
you must have an account to post a comment. {SIGN IN} {register now}