The New Criterion is probably more consistently worth reading than any other magazine in English.
ArtDecember 2009 Eero's modern fossils On “Eero Saarinen: Shaping the Future” at the Museum of the City of New York.
“Eero Saarinen: Shaping the Future” is the first retrospective of the life and work of Eero Saarinen (1910–61), a genuinely dis- tinguished post–World War II American architect.[1] This scholarly and thoroughly researched exhibition, long overdue, opened in November at the Museum of the City of New York and will remain there until the end of January, when it will travel to New Haven to be divided betwe ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 28 December 2009, on page 38 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Eero-s-modern-fossils-4342
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A review of Art & and the Power of Placement, by Victoria Newhouse. On “Mies in Berlin,” at the Museum of Modern Art & “Mies in America,” at the Whitney Museum of American Art. Reconciling nature & the machine A review of Frank Furness: Architecture and the Violent Mind, by Michael J. Lewis. by Karen Wilkin On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA. On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston. On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London. Webcasts
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