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ArtNovember 2008 Exhibition note On "Black Is Beautiful" at De Nieuwe Kerk, Amsterdam. "Black Is Beautiful" As you enter the “Black Is Beautiful” exhibition in the Nieuwe Kerk in Amsterdam, the first words that you read are “Black people are attractive.” These words produced in me, at any rate, a reaction akin to that I used to have when my teacher’s chalk squeaked on the blackboard, or he ran his nail down the blackboard because his chalk had dwindled away to nearly nothing. Methinks the curator doth protest too much. After all, would he have have written “Slovaks are attractive” or “Amputees are attractive”? There is a whistling-in-the-dark quality about the words that would not entirely have pleased or convinced me if I had happened to be black. The next words are, if anything, even less reassuring: “Artists have known this for a long time.” This im ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 27 November 2008, on page 46 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Exhibition-note-3942
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by Karen Wilkin On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA. On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston. On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London.
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