It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
ArtJune 2009 Exhibition note On "Second Empire Paris: History and Modernity" at Sterling & Francine Clark Art Institute, Williamstown, Massachusetts.
Few cities have been chronicled more extensively than Paris. The Clark’s exhibition “Second Empire Paris: History and Modernity” suggests that the act of chronicling is as significant as what is being documented. The views of Paris in this small but provocative show of prints and photographs pro ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 27 June 2009, on page 47 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Exhibition-note-4103
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On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston. On "Kurt Schwitters: Color & Collage" at Houston's Menil Collection. On "Rackstraw Downes: Onsite Paintings, 1972–2008” at the Portland Museum of Art, Portland, Maine. by Karen Wilkin On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA. On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London. On "Johann Zoffany RA: Society Observed” at the Yale Center for British Art. Webcasts
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