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ArtNovember 2009 Exhibition note by Mario Naves On "Georgia O'Keeffe: Abstraction" at the Whitney Museum of Art, New York.
A painting is fully experienced only through direct contact. A photograph might give an indication of what a particular canvas looks like, but not what it is or, more crucially, what it does. Subtleties in surface and scale, especially, are lost or muddled in reproduction. Who hasn’t been wowed by a picture in a catalog or online only to be disappointed when the thing is encountered in the flesh? I was reminded of the limits of pho ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 28 November 2009, on page 46 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Exhibition-note-4316
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by Mario Naves On "Maurizio Cattelan: All" at the Solomon R. Guggenheim Musuem, New York. by Karen Wilkin On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA. On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston. On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London.
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