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ArtDecember 2009 Exhibition note by Nola Tully On "Looking In: Robert Franks's "The Americans" at The Metropolitan Museum of Art.
In 1955, the Swiss-born photographer Robert Frank, then a slightly disillusioned thirty-one-year-old expat living in New York City, bought a used Ford coupe and took to the highways in search of the real America. With letters of reference from the artist Walker Evans, the photographer and curator Edward Steichen, and the Harper&rsquo ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 28 December 2009, on page 44 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Exhibition-note-4344
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by Nola Tully On “Henri Cartier-Bresson:The Modern Century” at the Museum of Modern Art, New York. by Nola Tully On "Oceans, Rivers & Skies: Anselm Adams, Robert Adams & Alfred Stieglitz" at the National Gallery of Art, Washington. by Nola Tully On "Depth of Field: Modern Photography at the Metropolitan" at the Metropolitan Museum of Art, New York. by Karen Wilkin On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA. On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston. On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London.
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