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Art

September 2010

Exhibition note

by Christie Davies

On "Rude Britannia: British Comic Art” at the Tate Britain, London.

“Rude Britannia” at the Tate could have been a good exhibition. British artists have always excelled at rudeness, in particular comic rudeness, in all the meanings of the word “rude”—impoliteness, impropriety, indecency. The British have a national gift for being offensive.

All the classics of British rudeness are here: the great eighteenth- and early nineteenth-century caricaturists, Hogarth, Gillray, and Rowlandson; the vulgar Ally Sloper; and the exquisite indecencies of Aubrey Beardsley’s illustrations to Lysistrata from the Victorian era. Here too is the work of Henry Mayo Bateman and William Heath Robinson, two of the great British cartoonists of the early twentieth century, and of Donald McGill, the artist of the “naughty” seaside postcards immortalized by George Orwell. From our own time are the savage satirical Gerald Scarfe, cheeky Beryl Cook, the comic book Viz, ...

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Christie Davies is the author of The Strange Death of Moral Britain (Transaction).


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This article originally appeared in The New Criterion, Volume 29 September 2010, on page 42

Copyright © 2012 The New Criterion | www.newcriterion.com

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Exhibition note

by Christie Davies

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Exhibition note

by Christie Davies

On "Building the Revolution: Soviet Art & Architecture 1915–35" at the Royal Academy, London.

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