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Art

February 2012

Exhibition note

by Franklin Einspruch

On "Johann Zoffany RA: Society Observed” at the Yale Center for British Art.

The Yale Center for British Art has set out to rehabilitate the reputation of Johann Zoffany, a German expatriate who became a member of the Royal Academy by appointment of King George III. One might argue that he isn’t better-known for fair reasons. His work is present in few American collections, he altered the spelling of his name several times, and his peripatetic life bewildered later chroniclers of English painting. His contemporaries included Thomas Gainsborough and William Hogarth, and, although he was an able painter with a gift for the theatrical, he had neither the deft wrist of the former nor the piercing eye of the latter. Yet within the parameters of genre scenes and group portraiture, he produced dozens of striking, original works. His portraits of single figures, if they don’t always rank as masterpieces, are full of puckish verve that makes up for many of their shortcomings.

Born Johannes Joesphus Zauffal ...

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Franklin Einspruch is an artist and writer in Boston.


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This article originally appeared in The New Criterion, Volume 30 February 2012, on page 49

Copyright © 2014 The New Criterion | www.newcriterion.com

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Exhibition note

by Franklin Einspruch

Review of "Balthus: Cats and Girls—Paintings and Provocations” at the Metropolitan Museum of Art, New York

Exhibition notice

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On "Dreams of Nature: Symbolism from Van Gogh to Kandinsky” at the Van Gogh Museum, Amsterdam.

Exhibition note

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