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Art

November 2012

Exhibition note

by Leann Davis Alspaugh

On "Paul Klee—Philosophical Vision: From Nature to Art," which opened at the McMullen Museum of Art, Boston College on September 1 and remains on view until December 9, 2012.

In the satirical etching Comedian (1904), a rumpled-faced actor in a plumed helmet sports a mask that looks much like his own face. Klee, an accomplished violinist and music critic, was also an avid operagoer who considered opera the highest form of theater. This grotesque buffo character presents a maddeningly inconclusive image, but we can still delight in its expressionism and the energy of its pul ...

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Leann Davis Alspaugh is the managing editor of The Hedgehog Review

 


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This article originally appeared in The New Criterion, Volume 31 November 2012, on page 46

Copyright © 2014 The New Criterion | www.newcriterion.com

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The Walter Duranty Prize for Journalistic Mendacity
On May 5, 2014, The New Criterion and PJ Media presented the second Walter Duranty Prize for Journalistic Mendacity. The award is given to highlight egregious examples of dishonest reporting. Also awarded this year was the Rather, a new award for lifetime achievement in mendacious journalism.
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Introduction to The Kennedy Phenomenon
Roger Kimball introduces The Kennedy Phenomenon, a conference presented by The New Criterion on Tuesday, November 19.


The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"
Roger Kimball reads Peter Collier’s paper on oft-overlooked unsavory details of the Kennedys' lives. Much of the paper is drawn from Collier’s book, coauthored with David Horowitz, The Kennedys: An American Drama.