Sign in  |  Register

The New Criterion

America’s leading review of the arts and intellectual life
- Harry Mount, the London Telegraph


November 2012

Exhibition note

by Christie Davies

On "Art of Change: New Directions from China," which opened at the Hayward Gallery, London on September 7 and remains on view until December 8, 2012, and "Everything Was Moving: Photography from the '60s and '70s," which opened at the Barbican Art Gallery, London September 13, 2012 and remains on view until January 13, 2013.

Perhaps the most ou ...

This article is available to subscribers and for individual purchase

Subscribe to TNC (Print and Online editions)

Subscribe to TNC (Online only)

Purchase article credit and clip this article

If you already have an account login first

Christie Davies's most recent book is Jokes and Targets (Indiana).

more from this author

This article originally appeared in The New Criterion, Volume 31 November 2012, on page 48

Copyright © 2015 The New Criterion |

E-mail to friend

The New Criterion

By the author

Love bites

by Christie Davies

On “Love Bites: Caricatures by James Gillray” at the Ashmolean Museum, Oxford.

Exhibition notes

by Christie Davies

On "Rubens and His Legacy: Van Dyck to Cézanne” at the Royal Academy of Arts, London.

You might also enjoy

“Class distinctions” in Boston

by Karen Wilkin

On “Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer” at the Museum of Fine Arts, Boston.

The Congo line

by Anthony Daniels

On “Beauté Congo 1926–2015” at the Fondation Cartier pour l’art contemporain, Paris.

Gallery chronicle

by James Panero

On “Painting Is Not Doomed To Repeat Itself” at Hollis Taggart Galleries; “Checkered History: The Grid in Art & Life” at Outpost Artists Resources; “Tempos: Selected Works by Elizabeth Gourlay, 2013–2015” at Fox Gallery NYC; “Diphthong” at the Shirley Fiterman Art Center; “Todd Bienvenu: Exile on Bogart Street” at Life on Mars; “Occo Socko!” at Stout Projects.

Most popular

view more >

Subscribe to our newsletter!

* indicates required


The Walter Duranty Prize for Journalistic Mendacity
On May 5, 2014, The New Criterion and PJ Media presented the second Walter Duranty Prize for Journalistic Mendacity. The award is given to highlight egregious examples of dishonest reporting. Also awarded this year was the Rather, a new award for lifetime achievement in mendacious journalism.
The Duranty Prize is named after Walter Duranty, the New York Times Moscow corresponded in the 1920s and 1930s who whitewashed Joseph Stalin’s forced starvation of the Ukrainians (the Holodomor) and many other aspects of Soviet oppression. Duranty was awarded the Pulitzer Prize in 1932 for his efforts. It has never been revoked.
Audio copyright Ed Driscoll,

Introduction to The Kennedy Phenomenon
Roger Kimball introduces The Kennedy Phenomenon, a conference presented by The New Criterion on Tuesday, November 19.

The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"
Roger Kimball reads Peter Collier’s paper on oft-overlooked unsavory details of the Kennedys' lives. Much of the paper is drawn from Collier’s book, coauthored with David Horowitz, The Kennedys: An American Drama.