America’s leading review of the arts and intellectual life
On "Art of Change: New Directions from China," which opened at the Hayward Gallery, London on September 7 and remains on view until December 8, 2012, and "Everything Was Moving: Photography from the '60s and '70s," which opened at the Barbican Art Gallery, London September 13, 2012 and remains on view until January 13, 2013.
was right!Support The
The art of modern China has once again entered the London galleries in force. The Hayward Gallery, which has a long and successful record of exhibiting work by the world’s most adventurous and innovative artists, has now devoted its entire main space to contemporary work from China—pictures, sculptures, photography, videos, human statues, and performance art. Across town in the Barbican Art Gallery, hidden away upstairs in a couple of side rooms in a large photography exhibition, is the utterly contrasting work of the Chinese photojournalist Li Zhenshang. Li has given the world its most extensive visual record of the horrors of Mao Zedong’s Cultural Revolution of 1966–76. It provides a grimly realistic prelude to the world of high contemporary fantasy at the Hayward, an exhibition which has so many new Chinese directions that it almost ceases to have direction at all.
Perhaps the most ou ...
This article is available to subscribers and for individual purchase
This article originally appeared in The New Criterion, Volume 31 November 2012, on page 48
Copyright © 2015 The New Criterion | www.newcriterion.comhttp://www.newcriterion.com/articles.cfm/Exhibition-note-7479
E-mail to friend
On “Love Bites: Caricatures by James Gillray” at the Ashmolean Museum, Oxford.
On "Rubens and His Legacy: Van Dyck to Cézanne” at the Royal Academy of Arts, London.
by Karen Wilkin
On “Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer” at the Museum of Fine Arts, Boston.
On “Beauté Congo 1926–2015” at the Fondation Cartier pour l’art contemporain, Paris.
by James Panero
On “Painting Is Not Doomed To Repeat Itself” at Hollis Taggart Galleries; “Checkered History: The Grid in Art & Life” at Outpost Artists Resources; “Tempos: Selected Works by Elizabeth Gourlay, 2013–2015” at Fox Gallery NYC; “Diphthong” at the Shirley Fiterman Art Center; “Todd Bienvenu: Exile on Bogart Street” at Life on Mars; “Occo Socko!” at Stout Projects.
The Walter Duranty Prize for Journalistic Mendacity
Introduction to The Kennedy Phenomenon
The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"