It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
Frank Furness, rational rogue
Reconsidering the "rogue" architecture of Frank Furness.
was right!Support The
If ever a man was a “rogue architect,” to use the amiable phrase of H. S. Goodhart-Rendel, surely it was Frank Furness (1839–1912), who gave us some of the brawniest and most aggressive buildings of the Victorian era. The roguishness is everywhere: in the muscularity of his brooding and belligerent banks; in his strangely agitated tombs; even in objects that are normally sedate, such as fireplaces and furniture. Is anything odder than his dining room table for Theodore Roosevelt, Sr., now in the High Museum in Atlanta? Its legs are shaped like fierce storks whose beaks skewer the helpless frogs t ...
This article is available to subscribers and for individual purchase
This article originally appeared in The New Criterion, Volume 31 February 2013, on page 12
Copyright © 2015 The New Criterion | www.newcriterion.comhttp://www.newcriterion.com/articles.cfm/Frank-Furness--rational-rogue-7544
E-mail to friend
The destruction of the Folk Art Museum will be remembered as MOMA’s great lost opportunity.
The Central Library Plan's renovations to the New York Public Library will hurt both scholars and average users.
A review of the new Harvard Art Museums, designed by Renzo Piano.
by Paul Dean
A review of A. David Moody's Ezra Pound: Poet. A Portrait of the Man and His Work, Volume II: The Epic Years, 1921–1939.
The Walter Duranty Prize for Journalistic Mendacity
Introduction to The Kennedy Phenomenon
The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"