The New Criterion
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FeaturesFebruary 2013 Frank Furness, rational rogue Reconsidering the "rogue" architecture of Frank Furness.
If ever a man was a “rogue architect,” to use the amiable phrase of H. S. Goodhart-Rendel, surely it was Frank Furness (1839–1912), who gave us some of the brawniest and most aggressive buildings of the Victorian era. The roguishness is everywhere: in the muscularity of his brooding and belligerent banks; in his strangely agitated tombs; even in objects that are normally sedate, such as fireplaces and furniture. Is anything odder than his dining room table for Theodore Roosevelt, Sr., now in the High Museum in Atlanta? Its legs are shaped like fierce storks whose beaks skewer the helpless frogs t ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 31 February 2013, on page 12 Copyright © 2013 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Frank-Furness--rational-rogue-7544
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On the Met and "Making American Taste: Narrative Art for a New Democracy" at the New York Historical Society. The great famine before China's Cultural Revolution killed millions. Yang Jisheng took it upon himself to make sure the world knew about it. by Charles Hill He was an eighteenth-century Irish statesman, but Edmund Burke still has plenty to say today. Reinhold Niebuhr was a public intellectual and a theologian who still has a deep influence on both the right and the left.
Webcasts
Poet George Green reads from his award-winning Lord Byron's Foot
Celebration of the Life of Robert H. Bork, 1927–2012
James Panero on price gouging at the Met, with Fred Dicker Weblog 
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