America’s leading review of the arts and intellectual life
NotebookIn 1839, fifty-three enslaved Africans aboard the Cuban schooner La Amistad, coasting eastward from Havana toward a village port in north-central Cuba, took advantage of a summer night and a small, sleepy crew to rise in revolt. One of the young men, named Cinqué, a Mende-speaker from a region near the Windward Coast of West Africa, led the uprising by killing the ship’s cook and captain. Several crewmen met the same fate, although José Ruiz and Pedro Montes, the Cuban middlemen who had purchased the Africans in Havana, were spared to navigate the rebels back to their homeland. Instead, the clever Cubans tacked indifferently to the east by day and earnestly to the northwest by night, ending up weeks later, with the increasingly desperate mutineers dehydrated and diminished in number, off the coast of Long Island. There the U.S. Coast Guard spotted the wounded vessel and seized it and the rebels, includin ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 16 March 1998, on page 74 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/From-history-to-Hollywood--the-voyage-of--ldquo-La-Amistad-rdquo--3100
rate this article for your user profile
E-mail to friend
|
The world we have lost: a parable on the academy On the Alexander Hamilton Center affair at Hamilton College. Webcasts
Anthony Daniels on the Euro Crisis
Andrew C. McCarthy: The Muslim Threat
Roger Kimball: The Grim Future of Statism |
add a comment
you must have an account to post a comment. {register now}