It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
Getting used to the f-word
On the rise of microfascism in Western democracies.
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There has never been much agreement on the definition of fascism. Nevertheless, the impression that, whatever its form, it always has to do with the triumph of the will over nature, seems a penetrating truth about early fascism as well as its more recent manifestations. The French saying Chassez le naturel, il revient au galop (“banish the natural, and it comes galloping back”) is a truth of nature that, absent the help of massively oppressive state powers, no degree of will could ever succeed in altering for long. Despite this bald reality, the recent history of the West has been a disturbing and repetitive narrative centered on the complexities and catastrophes that result from efforts to banish nature. In what follows, I argue that all the modern, unnatural, and therefore anti-human, attempts to bend nature and human nature to the will, have been expressed in two basic forms, one macro, the other micro. By the end, we may want to a ...
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This article originally appeared in The New Criterion, Volume 30 October 2011, on page 18
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A review of the new Harvard Art Museums, designed by Renzo Piano.
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The Walter Duranty Prize for Journalistic Mendacity
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