The New Criterion is probably more consistently worth reading than any other magazine in English.
Letter from DublinPreparatory to my visit to Dublin, friends with whom I was to stay kept for me an article from the February 25 edition of Irish Times magazine. It was about Eileen Gray, the Irish avant-garde designer who spent most of her life in Paris, and one of whose chairs sold at auction for $27 million in 2009, thus giving a new meaning to the expression “sitting on a fortune.” The article informed readers that a film was to be made about an episode in Gray’s life, in which she was to be the heroine and Le Corbusier the villain. It goes without saying that I have a prejudice in favor of any film in which Le Corbusier is cast as the villain, but—alas—I fear that this particular film will do more harm than good because its unspoken aesthetic premises are all wrong. In 1929, Gray built a modernist villa in the South of France with her then-lover, the Romanian architect Jean Badovici. Not on ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 31 September 2012, on page 34 Copyright © 2013 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Gray-s-sterility-7428
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On relations between the French intelligentsia and the Soviets. The digital challenge, I: Loss & gain, or the fate of the book The first entry in our series "The digital challenge." What does the future hold for printed books? Webcasts
Poet George Green reads from his award-winning Lord Byron's Foot
Celebration of the Life of Robert H. Bork, 1927–2012
James Panero on price gouging at the Met, with Fred Dicker |
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