The New Criterion is probably more consistently worth reading than any other magazine in English.
If you see something, say nothing
Changes to the AP stylebook show that we’re blinding ourselves to the connections between Islamic extremism and terrorism.
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It was a report of the now numbingly familiar sort. Witnesses at the synagogue in Paris recounted that an Iranian immigrant had been screaming “Allahu Akbar!” while he chased the rabbi and his son. When he finally caught up, he slashed away at them with a box-cutter, causing severe lacerations. Nevertheless, the Associated Press assured readers that “[a]n official investigation was underway to determine a possible motive.”
Quite a mystery, that.
It is necessary to search for some “possible” motive because to notice the actual and perfectly obvious ...
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This article originally appeared in The New Criterion, Volume 31 June 2013, on page 13
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From a series of letters regarding Andrew C. McCarthy's review of American Betrayal (The New Criterion, December 2013)
A deeper look into In a Station of the Metro reveals much about Pound's development as a poet.
by David Yezzi
Poets, like journalists, historians, are after the truth. But what kind of truth, exactly, do we find in poetry?
by Paul Dean
On Cambridge University Press's seven-volume collection of Ben Jonson's works.
April 29 2015
Edmund Burke Award Gala
The Walter Duranty Prize for Journalistic Mendacity
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