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Fiction Chronicle

May 2005

Ignorant armies clash by night

by Max Watman

A review of Never Let Me Go, by Kazuo Ishiguro; A Changed Man, by Francine Prose; American Purgatorio, by John Haskell; Saturday, by Ian McEwan; & Winslow in Love, by Kevin Canty.

I have never felt that I have an obligation (professional or personal) to conceal the endings of books from people.

I’ve always suspected that anyone who hasn’t figured out where the book is headed after 300 pages of warm-up probably isn’t reading very well. An author has been showing his hand for one hundred thousand words, detailing the minds and actions of his subjects, his bent of mind and bag of tricks, and you have no idea? It’s not my job to protect the soft-headed from their failings.

I would never reveal the crucial clue in an Agatha Christie book, because that is the focus of the mystery genre, where the metered revelation of information and subsequent amplification of suspense is the whole game. Quality-Lit novels use a different strategy. If a book that is not a mystery is ruined by the revelation of some element of the story, it is fair to wonder what that book was offering the ...

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Max Watman is the author of Race Day: A Spot on the Rail with Max Watman (Ivan. R. Dee).


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This article originally appeared in The New Criterion, Volume 23 May 2005, on page 61

Copyright © 2012 The New Criterion | www.newcriterion.com

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