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Inventing abstraction at MOMA
by Karen Wilkin
On “Inventing Abstraction, 1910–1925” at the Museum of Modern Art, New York.
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For about a month, from just before Christmas through the third week in January 2013, screenings of Christian Marclay’s “The Clock” overlapped with the survey exhibition “Inventing Abstraction: 1910–1925,” at the Museum of Modern Art.1 It’s difficult to imagine two more different projects. &ldq ...
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This article originally appeared in The New Criterion, Volume 31 February 2013, on page 41
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