The New Criterion
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ArtFebruary 2013 Inventing abstraction at MOMA by Karen Wilkin On “Inventing Abstraction, 1910–1925” at the Museum of Modern Art, New York.
For about a month, from just before Christmas through the third week in January 2013, screenings of Christian Marclay’s “The Clock” overlapped with the survey exhibition “Inventing Abstraction: 1910–1925,” at the Museum of Modern Art.1 It’s difficult to imagine two more different projects. &ldq ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 31 February 2013, on page 41 Copyright © 2013 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Inventing-abstraction-at-MOMA-7552
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by Karen Wilkin On the refurbished Rijksmuseum, Amsterdam and "The Société Anonyme: Modernism for America" at the newly renovated Yale University Art Gallery, New Haven. by Karen Wilkin On “Impressionism, Fashion, and Modernity” at the Metropolitan Museum of Art, New York. by Karen Wilkin On “Pre-Raphaelites: Victorian Art and Design, 1848–1900” at the National Gallery, Washington, D.C. by Mario Naves On "Albrecht Dürer: Master Drawings, Watercolors, and Prints from the Albertina” at the National Gallery of Art, Washington, D.C. On "The William S. Paley Collection: A Taste for Modernism” at the Portland Museum of Art, Portland, Maine.
Webcasts
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Poet George Green reads from his award-winning Lord Byron's Foot
Celebration of the Life of Robert H. Bork, 1927–2012 Weblog 
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