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On “Daniel Maclise: Romancing the Past” at the Crawford Gallery, Cork, Ireland, October 23, 2008 through February 14, 2009.
was right!Support The
The Crawford Gallery in Cork is to be congratulated on its major exhibition of the works of Daniel Maclise (1806–1870), one of Cork’s and indeed Ireland’s most remarkable historical painters, a ...
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This article originally appeared in The New Criterion, Volume 27 January 2009, on page 47
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On “Love Bites: Caricatures by James Gillray” at the Ashmolean Museum, Oxford.
On "Rubens and His Legacy: Van Dyck to Cézanne” at the Royal Academy of Arts, London.
by Karen Wilkin
On “Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer” at the Museum of Fine Arts, Boston.
On “Beauté Congo 1926–2015” at the Fondation Cartier pour l’art contemporain, Paris.
by James Panero
On “Painting Is Not Doomed To Repeat Itself” at Hollis Taggart Galleries; “Checkered History: The Grid in Art & Life” at Outpost Artists Resources; “Tempos: Selected Works by Elizabeth Gourlay, 2013–2015” at Fox Gallery NYC; “Diphthong” at the Shirley Fiterman Art Center; “Todd Bienvenu: Exile on Bogart Street” at Life on Mars; “Occo Socko!” at Stout Projects.
The Walter Duranty Prize for Journalistic Mendacity
Introduction to The Kennedy Phenomenon
The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"