It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
Notes & Comments
Jacques Barzun, 1907–2012
Remembering Jacques Barzun, scholar & culture warrior.
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Although he was a frequent subject of reviews, reconsiderations, and other commen-tary in The New Criterion, the celebrated writer and scholar Jacques Barzun, who died in October at 104, contributed only one essay to our pages. It was a review of Hector Berlioz’s opera Les Troyens at the Metropolitan Opera. That was in 1984, our second season, and Barzun had already been a grand old man of American letters for some years.
Born in France in 1907, Barzun had been a presence on the American intellectual and academic scene since the 1950s. From his perch at Columbia University, where he collaborated with the critic Lionel Trilling on a humanities course that deeply influenced a generation of students, Barzun (like Trilling) was part of the intellectual conscience of his age. He was a public intellectual before that role had been hollowed out by celebrity and the demotic faddis ...
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This article originally appeared in The New Criterion, Volume 31 December 2012, on page 1
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