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ArtSeptember 2009 James Ensor at MOMA by Karen Wilkin On "James Ensor" at the Museum of Modern Art, New York.
I have to admit that the Belgian painter James Ensor has never ranked very high among the modern artists I find most compelling nor occupied a conspicuous place in my mental image bank. I don’t suppose I have a really firm grip on more than a handful of his paintings, chiefly his best known work, the enormous Christ’s Entry into Brussels in 1889 (1888, J ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 28 September 2009, on page 40 Copyright © 2009 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/James-Ensor-at-MOMA-4191
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by Karen Wilkin On “Watteau, Music, and Theater” at the Metropolitan Museum of Art, New York. Vermeer & Monet at the Met & MoMA by Karen Wilkin On "Vermeer’s Masterpiece: The Milkmaid" at the Metropolitan Museum of Art, New York & “Monet’s Water Lilies” at the Museum of Modern Art, New York. by Karen Wilkin On "Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection" at the Musuem of Modern Art, New York. by Marco Grassi On "The Art of Devotion: Panel Painting in Early Renaissance Italy," Middlebury College Museum of Art, Middlebury, Vermont. On "In Pursuit of Knowledge: 600 Years of Leipzig University," The Grolier Club, New York. by Mario Naves On "Georgia O'Keeffe: Abstraction" at the Whitney Museum of Art, New York.  The New Criterion is now optimized for Mobile Devices 
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EventsNovember 24 2009 OPEN EVENT: Laura Jacobs reading December 02 2009 Friends Event: The Swallow Anthology Reading December 17 2009 Friends Event: New Criterion Holiday Party Webcasts
New Criterion-Social Affairs Unit Conference: Part 4
New Criterion-Social Affairs Unit Conference: Part 3
New Criterion-Social Affairs Unit Conference: Part 2 Weblog 
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