ArtJanuary 2010 Leonardo in Atlanta by Karen Wilkin On “Leonardo da Vinci: Hand of the Genius” at the High Museum of Art, Atlanta. Attributions provide art historians with drama. Changes in the accepted authorship of works of art, whether they are supported by scrupulously marshaled evidence, informed intuition, persuasive or half-baked theories, or a combination of all of these, can be met with enthusiastic acceptance, polite skepticism, or rampant hostility within the academic and museum communities. The fiercest debates are usually between curators and art historians, but sometimes, if the artists involved are famous enough, new opinions about who did what (and occasionally when they did it) are greeted with equal interest by both scholarly publications and the mass media. If recent evidence is to be trusted, questions of attribution can also become the basis of extremely popular museum ex- hibitions, at least, if the reassignment of authorship is a conspicuous upgrade—audiences don’t usually flock to see works that ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 28 January 2010, on page 43 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Leonardo-in-Atlanta-4363
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by Karen Wilkin On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA. by Karen Wilkin On "Stieglitz & His Artists" at the Metropolitan Museum of Art, New York. Marioni's liquid light at the Phillips by Karen Wilkin On “Eye to Eye: Joseph Marioni at the Phillips” at the Phillips Collection, Washington, DC. On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston. On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London. On "Johann Zoffany RA: Society Observed” at the Yale Center for British Art.
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