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Lionel Trilling & the critical imagination
On the critic's “moral realism”.
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Why Trilling Matters: it is a curiously defensive title for a book about a man who was a star in the much-acclaimed circle of “New York intellectuals,” who delivered the first of the Jefferson Lectures bestowed by the government for “distinguished intellectual and public achievement in the humanities,” and whose major collection of essays, The Liberal Imagination, has gone through half-a-dozen editions since it was first published in 1950 (most recently in 2008), totalling 70,000 copies in hard cover and more than 100,000 in paperback.1 Yet that defensive tone, unfortunately, is warranted. In spite of the availability of his work, Lionel Trilling today is almost unknown in academia, resurrected occasionally in an article ...
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This article originally appeared in The New Criterion, Volume 30 October 2011, on page 14
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Revisiting the lasting, provocative wisdom of Edmund Burke.
A review of the new Harvard Art Museums, designed by Renzo Piano.
by Paul Dean
A review of A. David Moody's Ezra Pound: Poet. A Portrait of the Man and His Work, Volume II: The Epic Years, 1921–1939.
The Walter Duranty Prize for Journalistic Mendacity
Introduction to The Kennedy Phenomenon
The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"