ArtDecember 2011 Marioni's liquid light at the Phillips by Karen Wilkin On “Eye to Eye: Joseph Marioni at the Phillips” at the Phillips Collection, Washington, DC. A remarkable exhibition can be seen at the Phillips Collection, organized as part of the museum’s ninetieth anniversary celebrations: a group of canvases by the tough-minded painter Joseph Marioni, made between 1981 and 2011.1 They are accompanied by a selection of paintings from the museum’s own holdings, chosen, partly by the artist himself, as historical background and counterpoint to his rigorous, passionate investigations of color and radiance—or as he puts it, “liquid light.” In addition to its considerable aesthetic pleasures, “Eye to Eye: Joseph Marioni at the Phillips” is specially welcome because, in this country, there are fewer opportunities to see substan ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 30 December 2011, on page 50 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Marioni-s-liquid-light-at-the-Phillips-7232
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by Karen Wilkin On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA. by Karen Wilkin On "Stieglitz & His Artists" at the Metropolitan Museum of Art, New York. by Karen Wilkin On "De Kooning: A Retrospective" at the Museum of Modern Art, New York. On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston. On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London. On "Johann Zoffany RA: Society Observed” at the Yale Center for British Art. Webcasts
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