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ArtJune 2010 Matisse in Chicago by Karen Wilkin On “Matisse: Radical Invention 1913–1917” at the Art Institute of Chicago.
In January 1913, Henri Matisse turned forty-three. His work was still considered controversial, if not downright dangerous, but he had nonetheless acquired a small circle of collector-admirers who included Gertrude and Leo Stein and the Russian patrons Sergei Shchukin and Ivan Morosov. He even had achieved a measure of financial security, a contract with the respected gallery Bernheim-Jeune, ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 28 June 2010, on page 37 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Matisse-in-Chicago-5327
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by Karen Wilkin On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA. by Karen Wilkin On "Stieglitz & His Artists" at the Metropolitan Museum of Art, New York. Marioni's liquid light at the Phillips by Karen Wilkin On “Eye to Eye: Joseph Marioni at the Phillips” at the Phillips Collection, Washington, DC. On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston. On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London. On "Johann Zoffany RA: Society Observed” at the Yale Center for British Art.
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