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TheaterMarch 2010 Melancholy, long, withdrawing On The Bridge Project’s As You Like It & The Tempest, Sexual Healing by Jonathan Leaf, Phantom Killer by Jan Buttram & David Greenspan’s Plays & The Myopia. Sam Mendes, the director of American Beauty and Revolutionary Road, is a Hollywood parlor radical who makes meretricious films that stroke the vanities of less exalted parlor radicals, who then congratulate him on his courage—a daisy-chain of flattery, a mutual-admiration society for the un-admirable. Playing the edgy outsider is one of the all-time great moneymaking schemes in American life, right up there with multilevel marketing and patent-medicine sales, and one must admire the skill and verve which Mr. Mendes has brought to the role: Such an edgy outsider is he that Her Majesty made him a Commander of the British Empire, providing him with an excellent perch from which to condescend to the suburban plebes he has made his fortune despising. In his spare time he works in Serious Theater, having served as the director of London’s Donmar Warehouse and New York’s Bridge Project, fo ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 28 March 2010, on page 33 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Melancholy--long--withdrawing-5184
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