The New Criterion
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ArtFebruary 2010 Moderns in the Hague by Karen Wilkin On “Cézanne, Picasso, Mondriaan” at the Geementsmuseum, The Hague, The Netherlands.
Towards the end of 1911, Piet Mondrian—or as he then spelled it, “Mondriaan,” in the Dutch way—showed six paintings at the Stedelijk Museum in Amsterdam in the first exhibition of a recently formed progressive artists’ association, the Moderne Kunst Kring. He also helped to judge submissions to the show, as a member of the group and as an artist with a growing reputation for adventurous work, at least by the standards ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 28 February 2010, on page 41 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Moderns-in-the-Hague-4390
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by Karen Wilkin On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA. by Karen Wilkin On "Stieglitz & His Artists" at the Metropolitan Museum of Art, New York. Marioni's liquid light at the Phillips by Karen Wilkin On “Eye to Eye: Joseph Marioni at the Phillips” at the Phillips Collection, Washington, DC. On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston. On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London. On "Johann Zoffany RA: Society Observed” at the Yale Center for British Art.
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