Sign in  |  Register

The New Criterion

America’s leading review of the arts and intellectual life
- Harry Mount, the London Telegraph

Notes & Comments

June 2008

Speaking up for the Fifties

On the roots of the Sixties.

This spring marks the fortieth anniversary of that climacteric of cultural catastrophe, 1968, when for a moment the forces of anarchy and malignant sentimentality seemed poised to overrun the bulwarks of civilization in the West. We are pleased to publish in this issue “The Sixties at 40,” an important reflection on that critical moment by Peter Collier, who lived through les événements as a participant observer. The spirit of the Sixties, Collier suggests, didn’t die, exactly; rather, it’s been absorbed as a sort of toxic parody: “a fate worse than death as its anarchic brio dissolves into a glutinous mixture of revisionism, po- litical correctness, multicultural clichés, and progressivism.”

We can’t improve on that, but the spate of anniversary commemorations—five parts celebration, one part condemnation—of the Sixties prompts us t ...

This article is available to subscribers and for individual purchase

Subscribe to TNC (Print and Online editions)

Subscribe to TNC (Online only)

Purchase article credit and clip this article

If you already have an account login first

This article originally appeared in The New Criterion, Volume 26 June 2008, on page 1

Copyright © 2009 The New Criterion | www.newcriterion.com

http://www.newcriterion.com/articles.cfm/Speaking-up-for-the-Fifties-3852
rate this article for your user profile

E-mail to friend


The New Criterion

You might also enjoy

Deprogramming the MFA

On the real consequences of "The Program Era."

Most popular

view more >

download
first delivery

The New Criterion is now optimized for Mobile Devices

New from The New Criterion:
40 page special issue
on our conference

"Free speech in
an age of Jihad"

Events

July 16 2009

OPEN CHICAGO EVENT


Webcasts

"Taking the Occasion," poems by Daniel Brown
The eighth annual New Criterion Poetry Prize winner reads selections from his book at an evening with the Friends of The New Criterion.


Jay Nordlinger on the future of classical music, from an evening with the Friends of The New Criterion.


A profile of the abstract painter Thornton WIllis
Directed by Michael Feldman. Featuring Thornton Willis and commentary by James Panero. Produced in coordination with Willis's March 2009 exhibition at Elizabeth Harris Gallery, New York