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ReconsiderationsThis could be Arthur Koestler apostrophizing the condemned Rubashov in his novel Darkness at Noon (1940):
In fact, it is from Vasily Grossman’s masterpiece of World War II, Life and Fate (1959). If Fascism doesn’t kill Krymov, the graying commissar of ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 25 March 2007, on page 33 Copyright © 2009 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Stepson-of-the-time-2613
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Inhuman power of the lie: "The Great Terror" at 40 On the anniversary of the definitive work on Stalin's purges. On the life, letters & linguistic genius of William Jones (1746–94). by John Simon On Barbara Johnson's translation of Divagations by Stéphane Mallarmé.  The New Criterion is now optimized for Mobile Devices 
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