The New Criterion is probably more consistently worth reading than any other magazine in English.
The French connection
On relations between the French intelligentsia and the Soviets.
was right!Support The
Until I went to the exhibition of Northern Renaissance drawing and prints in the collections of the École des Beaux-arts in Paris, I had never heard of Urs Graf.1
Well, one cannot know everything and if one did there would be no pleasure of discovery. I can now add Graf to my mentally prepared list when I am asked, by someone echoing Graham Greene’s famous bon mot about the cuckoo clock, to name ten eminent Swiss. The only other nationality of which this condescending question is ever asked is the Belgian, though in the latter case beer or chocolate play the part of the cuckoo clock.
Graf (1485–ca. 1528) was a goldsmith and soldier of fortune who worked in Basel, from where he once had to flee under accusation of attempted murder. He ...
This article is available to subscribers and for individual purchase
This article originally appeared in The New Criterion, Volume 31 February 2013, on page 22
Copyright © 2015 The New Criterion | www.newcriterion.comhttp://www.newcriterion.com/articles.cfm/The-French-connection-7546
E-mail to friend
A deeper look into In a Station of the Metro reveals much about Pound's development as a poet.
by David Yezzi
Poets, like journalists, historians, are after the truth. But what kind of truth, exactly, do we find in poetry?
by Paul Dean
On Cambridge University Press's seven-volume collection of Ben Jonson's works.
April 29 2015
Edmund Burke Award Gala
The Walter Duranty Prize for Journalistic Mendacity
Introduction to The Kennedy Phenomenon
The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"