It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
The Sixties at 40
On 1968, four decades later.
was right!Support The
Over the years I’ve gotten rid of most of the embarrassing evidence—the photos of us on Telegraph Avenue giving the clenched fist salute while wreathed in choking teargas; the North Vietnamese flag that hung in my front window all those years; the pistol I bought because we all believed that the FBI was coming for us. But one item from the Sixties I’ve kept—a commemorative comb brought back from Hanoi by Tom Hayden after one of his trips there to support General Vo Nguyen Giap’s shrewd perception that the war would not be won in the jungles of Vietnam but on the streets of America.
The comb is machine-cut out of the metal of a downed U.S. aircraft. It is about five inches long, in the shape of an F-105. There are patches of white paint on the unfinished side. A cockpit and insignia have been stamped on the shinier front. Just above the ...
This article is available to subscribers and for individual purchase
This article originally appeared in The New Criterion, Volume 26 June 2008, on page 4
Copyright © 2015 The New Criterion | www.newcriterion.comhttp://www.newcriterion.com/articles.cfm/The-Sixties-at-40-3853
E-mail to friend
The Kennedy family has written its own myth, honoring their dead and redefining them so that they were heroes
On the critic, polemicist & raconteur Christopher Hitchens (1949–2011).
Updike began and ended his career with poetry. More than his other writings, Updike's verse provides the clearest picture of who he is.
Donald Stoker's new book on Clausewitz helps dissect Clausewitz's complicated legacy.
The Walter Duranty Prize for Journalistic Mendacity
Introduction to The Kennedy Phenomenon
The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"