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November 2012

The Widmer uncertainty principle

by Tess Lewis

On Urs Widmer and a trio of his novels.

To recognize what is absurd and to accept it need not dim the eye for the tragic side of existence, quite on the contrary, in the end it may perhaps help in gaining a more tolerant view of the world.
—Gregor von Rezzori, The Snows of Yesteryear

The prolific Swiss writer Urs Widmer is a prominent figure in German literature, yet he is all but unknown to English readers. He has written more than two dozen works of fiction, almost thirty radio plays, a dozen theater plays, and a half dozen collections of essays, including those he delivered in the prestigious Frankfurt Poetics Lectures series in 2006.

His writing, though serious and finely crafted, is full of tomfoolery, wry deadpan humor, and implausible plot twists. One of his novels, for example, is narrated by a two-inch plastic dwarf. Still, a powerful current of pathos flows beneath Widmer’s antic su ...

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Tess Lewis is a translator and essayist who writes frequently about European literature.

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This article originally appeared in The New Criterion, Volume 31 November 2012, on page 81

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The Walter Duranty Prize for Journalistic Mendacity
On May 5, 2014, The New Criterion and PJ Media presented the second Walter Duranty Prize for Journalistic Mendacity. The award is given to highlight egregious examples of dishonest reporting. Also awarded this year was the Rather, a new award for lifetime achievement in mendacious journalism.
The Duranty Prize is named after Walter Duranty, the New York Times Moscow corresponded in the 1920s and 1930s who whitewashed Joseph Stalin’s forced starvation of the Ukrainians (the Holodomor) and many other aspects of Soviet oppression. Duranty was awarded the Pulitzer Prize in 1932 for his efforts. It has never been revoked.
Audio copyright Ed Driscoll,

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