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Features

June 2010

The artful Dickens

by Alexandra Mullen

On Dickens's world & the world he created.

Dickens’s art is like life because, like life, it is irresponsible, because, like life, it is incredible.
—G. K. Chesterton

The biographies of most writers tend to be fascinating up to the time their writing begins in earnest. Perhaps poets of short verse have the time to get up to drunken shenanigans and commit adultery in ways that might prove interesting to read about later, but novelists—especially novelists whose books number pages in the high hundreds—are usually too busy sitting at their desks to do more than go out to dinner occasionally. The more prolific the author, the duller the life. Charles Dickens, in this as in so many things, is an exception. Despite writing fifteen long novels and producing reams of journalism and short stories, he still had time to father ten children; edit magazines; gad about the continent; tour and perform in Americ ...

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Alexandra Mullen is an advisory editor at The Hudson Review.


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This article originally appeared in The New Criterion, Volume 28 June 2010, on page 20

Copyright © 2014 The New Criterion | www.newcriterion.com

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On May 5, 2014, The New Criterion and PJ Media presented the second Walter Duranty Prize for Journalistic Mendacity. The award is given to highlight egregious examples of dishonest reporting. Also awarded this year was the Rather, a new award for lifetime achievement in mendacious journalism.
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Audio copyright Ed Driscoll, www.eddriscoll.com.


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