FeaturesDickens’s art is like life because, like life, it is irresponsible, because, like life, it is incredible. The biographies of most writers tend to be fascinating up to the time their writing begins in earnest. Perhaps poets of short verse have the time to get up to drunken shenanigans and commit adultery in ways that might prove interesting to read about later, but novelists—especially novelists whose books number pages in the high hundreds—are usually too busy sitting at their desks to do more than go out to dinner occasionally. The more prolific the author, the duller the life. Charles Dickens, in this as in so many things, is an exception. Despite writing fifteen long novels and producing reams of journalism and short stories, he still had time to father ten children; edit magazines; gad about the continent; tour and perform in Americ ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 28 June 2010, on page 20 Copyright © 2013 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/The-artful-Dickens-5321
E-mail to friend
|
On Henry Mayhew's magnum opus, London Labour and the London Poor. The great famine before China's Cultural Revolution killed millions. Yang Jisheng took it upon himself to make sure the world knew about it. by Charles Hill He was an eighteenth-century Irish statesman, but Edmund Burke still has plenty to say today. Reinhold Niebuhr was a public intellectual and a theologian who still has a deep influence on both the right and the left. Webcasts
Poet George Green reads from his award-winning Lord Byron's Foot
Celebration of the Life of Robert H. Bork, 1927–2012
James Panero on price gouging at the Met, with Fred Dicker |
add a comment
you must have an account to post a comment. {register now}