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Fiction Chronicle

May 2006

The ever-present human hint of yellow

by Max Watman

On novels from across the pond.

Glancing over the metaphorical shelves, one is forced to admit a certain trade deficit. Most interesting novels today seem to have been for sale in the U.K. first. Of course, generalizations are dangerous—generalizations based on national stereotypes especially so. What, after all, is true of “the French” or “the Germans”? It’s touchy stuff, and it was with some trepidation that I undertook examining British novels.

Certainly Zadie Smith’s return to form after a flop of a sophomore effort was widely praised. On Beauty has been much discussed, but it makes a useful beginning here. It grants us remarkable insight into the current state of British fiction (if such a thing, etc., etc.) because it lifted some motifs from Howards End. Neatly enough, Forster wrote that book over the period from 1908 to 1910: close to a century ago.

In the clos ...

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Max Watman is the author of Race Day: A Spot on the Rail with Max Watman (Ivan. R. Dee).


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This article originally appeared in The New Criterion, Volume 24 May 2006, on page 58

Copyright © 2012 The New Criterion | www.newcriterion.com

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