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Features

December 2012

The intelligent line

by Marco Grassi

On the Courtauld Gallery, master drawings, and a new exhibit at The Frick Collection.


Michelangelo's The Dream (ca. 1533)

In 1563, when Cosimo de’ Medici, the first Grand Duke of Tuscany, founded the Accademia del Disegno in Florence, it marked a significant step toward his larger goal of creating a centralized regime structure that would channel the artistic, intellectual, mercantile, and even religious pursuits of its subjects toward the greater glory of the state and its dynastic ruler. The Accademia was intended to function as if it were a ministry for the visual arts: essentially a propaganda agency. It was a first and very successful experiment in monarchic absolutism, energized in southern Europe by the Counter-Reformation, and destined to dominate the wider political landscape for nearly two ...

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Marco Grassi is a private paintings conservator and dealer in New York.


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This article originally appeared in The New Criterion, Volume 31 December 2012, on page 24

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Friends and Young Friends Event: The Climate Surprise


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The Walter Duranty Prize for Journalistic Mendacity
On May 5, 2014, The New Criterion and PJ Media presented the second Walter Duranty Prize for Journalistic Mendacity. The award is given to highlight egregious examples of dishonest reporting. Also awarded this year was the Rather, a new award for lifetime achievement in mendacious journalism.
The Duranty Prize is named after Walter Duranty, the New York Times Moscow corresponded in the 1920s and 1930s who whitewashed Joseph Stalin’s forced starvation of the Ukrainians (the Holodomor) and many other aspects of Soviet oppression. Duranty was awarded the Pulitzer Prize in 1932 for his efforts. It has never been revoked.
Audio copyright Ed Driscoll, www.eddriscoll.com.


Introduction to The Kennedy Phenomenon
Roger Kimball introduces The Kennedy Phenomenon, a conference presented by The New Criterion on Tuesday, November 19.


The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"
Roger Kimball reads Peter Collier’s paper on oft-overlooked unsavory details of the Kennedys' lives. Much of the paper is drawn from Collier’s book, coauthored with David Horowitz, The Kennedys: An American Drama.

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