It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
ArtApril 2012 The murals of Diego Rivera On “Diego Rivera: Mural for The Museum of Modern Art” at The Museum of Modern Art, New York. Among the silliest public notices that I have ever read is at the exit to the present exhibition of Diego Rivera murals at the Museum of Modern Art. It says: “Occupancy by more than 798 persons is dangerous and unlawful.”1 This notice raised many interesting questions. At whom was it directed? At the administrators of MOMA? In which case, why the need for public display? The administrators, however, did not appear to have been making strenuous efforts to estimate, let alone keep count of, the numbers of “occupants,” so perhaps it was the responsibility of the visitors themselves to ensure that they numbered no more than 798. If this was so, which among them in excess of 798, if any, were the guilty parties, the cu ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 30 April 2012, on page 50 Copyright © 2013 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/The-murals-of-Diego-Rivera-7334
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On relations between the French intelligentsia and the Soviets. The digital challenge, I: Loss & gain, or the fate of the book The first entry in our series "The digital challenge." What does the future hold for printed books? by Karen Wilkin On “Impressionism, Fashion, and Modernity” at the Metropolitan Museum of Art, New York. On "Man Ray: Portraits” at the National Portrait Gallery, London. by Mario Naves On "The New Spirit: American Art in the Armory Show, 1913” at the Montclair Art Museum, Montclair, NJ. Webcasts
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