The New Criterion
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FeaturesIn the BBC TV adaptation of Kingsley Amis’ 1986 novel The Old Devils, John Stride gives a gleeful, roaring performance as Alun Weaver, a celebrity novelist and professional Welshman recently returned from London to his native clime. There’s a scene set at a book-signing for mostly effusive customers, to whom Weaver responds with a glance up from the table and some labored demurring: “No, no, you are too kind. This is mere hack work.” And then an intense young man appears. “I’m a great fan,” he begins, “but I didn’t think this book quite captured the lyrical freshness of Mumbles Boy.” There is the briefest of pauses, just time for a malicious smile from the novelist. “Why, thank you very much,” he replies. “And what on earth makes you think I’m interested in the opinion of ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 25 March 2007, on page 9 Copyright © 2013 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/The-old-devil-2606
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by Donald Kagan Upon his retirement from Yale, Donald Kagan considers the future of liberal education in this farewell speech. If you see something, say nothing Changes to the AP stylebook show that we’re blinding ourselves to the connections between Islamic extremism and terrorism.
Webcasts
Andrew C. McCarthy talks Islam
Poet George Green reads from his award-winning Lord Byron's Foot
Celebration of the Life of Robert H. Bork, 1927–2012 Weblog 
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