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Features“Why, then, aren’t we realists?” Ulrich asked himself. Neither of them was, neither he nor she: their ideas and their conduct had long left no doubt of that; but they were nihilists and activists, sometimes one and sometimes the other, whichever happened to come up. In the realm of the aesthetic … even imperfection and lack of completion have their value. The Austrian novelist Robert Musil (1880– 1942) occupies a peculiar position in the pantheon of great twentieth-century writers. He is admired by literati for a handful of astringent modernist fictions, especially for his first novel, Die Verwirrungen des Zöglings Törless (The Bewilderment ...
Subscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 14 February 1996, on page 10 Copyright © 2009 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/The-qualities-of-Robert-Musil-3658
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